Architectural Ethics: The Criticism of Igbo Palaces in Defence of Moderate Moralism in Nigeria

Architecture is connected to ethics in many ways. The intricate architecture of Igbo palaces in Nigeria embodies a complex interplay of cultural identity, power dynamics and moral significance. These structures, often serving as symbols of traditional authority and community heritage, reflect the Igbo people’s rich cultural values and historical narratives. However, the intersection of traditional and modern architectural practices has also led to tensions and contradictions, raising important ethical questions about the role of architecture in shaping societal values and norms. Through an exploration of the moral dimensions of Igbo palace architecture, this research reveals the ways in which these spaces reinforce Igbo values such as community, respect and tradition. The palaces’ design and layout often embody these values, creating a sense of belonging and identity among community members. The dominance of carved images, sculptures and engraved arts which reflect their connection with their ancestry as a symbol of royalty is the common feature in both traditional and modern Ibo palaces. Nevertheless, the influence of modernity and globalization has also led to the incorporation of new architectural elements, sometimes challenging traditional norms and values. The defense of moderate moralism as a framework for evaluating the moral significance of built spaces is central to this discussion. By acknowledging the moral dimensions of architecture, we can better understand how built environments shape our experiences, interactions and understanding of the world. In this context of Igbo palaces, moderate moralism provides a nuanced lens through which to examine the ethical implications of architectural design and its impact on community cohesion and cultural preservation. It is important that Modernism in architectural designs of Ibo palaces should be moderated to avoid undermining the Igbo culture.